Tab CompletionTab Atkins Jr.firstname.lastname@example.org://www.xanthir.comhttp://www.xanthir.com/2015-03-09T18:55:38+00:00All content is published in the public domain, or optionally may be licensed under the CC0 license.http://www.xanthir.com/b4a30Tips On Keynoting, from Chris Coyier2015-03-09T18:55:38+00:002015-03-09T18:55:01+00:00<p>Last year I was asked to keynote SassConf (it was incredibly great! everyone should <a href="http://sassconf.com/" title="">attend this year</a>!). I'm an experience public speaker at this point, but I'd never keynoted before, and I was pretty nervous about it, especially at a conference slightly outside of my tech comfort zone.<p>So I asked Chris Coyier, who's keynoted from hell to breakfast, what to do. His advice was really helpful (and I should have followed it even more closely). I just ran across it today when searching my email, and thought it could help other people too:<blockquote>
You're right in that often keynotes have a different vibe from the rest of the talks. They are often stories, personal experiences, walks through history, and more often than not, focused on inspiration. The idea being - "isn't it weird and cool that we're all together in this room? Let's consider a reason why that might be - and go get em tiger!"
I can imagine you telling a cool story about how you got into CSS and how that lead to being possibly the most influential person in the future of CSS today. Or perhaps how you feel about CSS as a language. What it means to the web, what it means to the world, it's successes and failures. And perhaps where it's going, but light on the feature-by-feature rundown. Or maybe attempting to answer the question: is CSS going to be around in 10 years? 20 years? Is there any way to answer that question without gut instinct?
</blockquote><p>Obviously some of this, especially the second paragraph, is kinda specific to my own situation, but it's still all good general advice for anyone wanting to give a keynote, or anything similar. Hopefully this helps someone else!http://www.xanthir.com/b4_g0Depixelating Pixel Art2015-02-18T17:42:57+00:002015-02-15T22:06:32+00:00<p>For my future use, I distilled the <a href="http://research.microsoft.com/en-us/um/people/kopf/pixelart/index.html" title="">algorithm for depixelating pixel art</a> into its component steps, minus the explanations and figures.<p>I've also copied this over into <a href="https://github.com/tabatkins/depixel" title="">a GitHub project</a>, which will host the code when I write it.<h2>General Algorithm</h2><ol><li><p>Construct a graph where each pixel is a node, connected to its 8 neighbors.<li><p>Remove all edges between nodes with "dissimilar" colors. (In YUV, colors with dY>48, dU>7, or dV>6.)<li><p>Examine all four-squares of nodes:<ol><li>If all four are fully connected, remove the diagonals. (It's a block of the same color.)<li>If they're only connected via diagonals, use feature detection to tell which diagonal to keep:<li>Compare the length of the curves (valence-2 nodes) that each diagonal is a part of. Cast vote in favor of the longer one, with weight equal to difference.<li>Compare the size of the connected graphs each diagonal is a part of, in an 8x8 window. Cast vote in favor of the smaller component, with weight equal to difference in size.<li>If either diagonal connects directly to a lone pixel (valence-1 node) cast a vote in favor of it, with weight 5 (empirically determined).</ol><li><p>You now have a fully planar set of disconnected graphs.<li><p>Chop each connection in half, associating each half with its closer point. Construct a Voronoi diagram from each of these points+half-connections. Quantize the Voronoi to a quarter-pixel grid.<li><p>Simplify the Voronoi diagram by collapsing valence-2 nodes into lines that connect their higher/lower-connected endpoints. <br><li><p>You now have the basic depixelated shape.<li><p>Walk the graph of cell points (nodes). Ignoring junctions separating similar (connected) cells, find all runs of valence-2 cell points and turn them into quadratic b-splines, with control points set to the nodes.<li><p>Simplify all 3-spline junctions.<ol><li>If one of the splines is a "shading spline" (separating two areas with YUV distance <= 100) and the other two are "contour spline" (YUV distance > 100), connect the two contour splines into one.<li>Otherwise, find the two splines which connect with an angle closest to 180deg, and join them together.<li>Keep in mind that the end-point of the non-connected spline of each triad will need to be adjusted to lie exactly on the curve defined by the connected splines.</ol><li><p>You now have a relatively smooth depixelated shape.<li><p>Detect "corners" that shouldn't be smoothed away. Corners are all runs of 4-5 points that are related by the following 5 relations (plus rotations/mirrors):<ol><li>(0,0) (.25, .75) (.75, .75) (1, 0)<li>(-.25, .25) (.25, .75) (.75, .75) (1, 0)<li>(-.25, .25) (.25, .75) (.75, .75) (1.25, .25)<li>(0,0) (0,1) (1,1) (1,0)<li>(.75, -.25) (.25, .25) (.25, .75) (.75, .75) (1.25, .25)</ol><li><p>Optimize all remaining nodes by minimizing an energy function over them. Each node contributes the sum of:<ol><li>Curvature. Integrate the curvature function over the segment influenced by the node. Can use simple numerical sampling here.<li>Position deviation. Take the fourth power (empirically determined) of the distance between its current location and its original location.</ol></ol><p>The energy function is non-linear but smooth, so you can do local modifications by randomly selecting nodes, randomly jiggling them to find a lower-energy state, and repeating until satisfied. Paper doesn't specify how many iterations they used.<ol><li>Rejigger the "corner" nodes to match up better with the energy-minimized nodes and minimize cell-shape distortion. Paper is unclear here: use harmonic maps; it's solving a simple sparse linear system; [Hormann 2001] has a full explanation.<li>Remember to rejigger the endpoint of the non-connected spline in each triad connection!<li>Render the graph accordingly. [Nehab and Hoppe 2008] Each reshaped cell diffuses its color from its centroid, constrained by the spline boundaries? Simpler if you assume that all color differences are significant; you get more contours, but they're all solid-color and look pretty good. (And can actually be done in SVG, which doesn't have diffusion-based paint servers yet.)</ol><p>DONE.<h2>Future work</h2><ol><li>Detect dithering patterns used in color-constrained graphics, and consider them part of a single solid-color region.<li>Detect "corners" (junctions where long straight lines meet) and increase the multiplicity of the knot vector to get a sharper corner.</ol><h2>Refs</h2><p>NEHAB, D., AND HOPPE, H. 2008. Random-access rendering of general vector graphics. ACM Trans. Graph. 27, 5, 135:1–135:10.<p>HORMANN, K. 2001. Theory and Applications of Parameterizing Triangulations. PhD thesis, University of Erlangen.http://www.xanthir.com/b4Zz0Switching Your GitHub Repo To Use Only The <code>gh-pages</code> Branch2015-01-25T06:22:06+00:002015-01-04T23:05:40+00:00<p>(This is a simplified version of the advice on <a href="http://oli.jp/2011/github-pages-workflow/" title="">Oli Studholme's blog</a>, cut down to just the parts that I've actually needed. I do this often enough, and always forget the steps, so having it put down here is useful for me, and maybe for someone else.)<p>So you want to serve your repo from the <code>http://user.github.io/repo</code> url, and don't have any reason to separate a "code" and "serve" branch. In other words, you want your GitHub repo to only use the <code>gh-pages</code> branch, not <code>master</code>. Here's an easy guide to making that happen.<p>First, if you already have a <code>gh-pages</code> branch, make sure it's synced up to master, showing exactly what you want. If you don't, type:<pre class='code'>git checkout -b gh-pages
git push origin gh-pages</pre><p>Second, go to GitHub, settings for your repo, and switch “Default Branch” to <code>gh-pages</code>.<p>Third, delete the local <code>master</code> branch with <code>git branch -d master</code>.<p>Finally, delete the remote <code>master</code> branch with <code>git push origin :master</code>. <p>Done. You now have only the <code>gh-pages</code> branch, and it's the default one that git will use when talking with GitHub.http://www.xanthir.com/b4Zb0A Quick Primer on P and NP2014-12-12T19:05:51+00:002014-12-12T19:05:51+00:00<p>(This is a quick gloss over the problem, intended to give someone a good idea of what's going on without bogging down too much in details. Pretty sure I've gotten it right, but if I'm slightly off about something, don't worry about it.)<p>So, a lot of problems sit in P or NP complexity classes. This classifies a problem based on how quickly the time-to-solve increases as the size of the problem increases. Adding two numbers is linear - double the size of the numbers, you double the running time. Multiplying two numbers is (roughly) square - double the size of the numbers, you quadruple the running time. Bruteforcing a password is exponential - double the size of the password, you increase the running time by ~60^n (where n is the original size).<p>Linear and square are both "polynomial", or in P, because the relationship between problem size and running time can be written as a polynomial equation where the problem size is the base and the power is a static number. Adding is "size^1 = time", multiplying is "size^2 = time". Password cracking is not polynomial, because its equation is "60^size = time" - the size is a power, not a base.<p>NP doesn't quite stand for "non-polynomial", but it's often described as such, and that's pretty close to what it means. There's an extra wrinkle, though. NP actually stands for "non-deterministic polynomial", which means that if you had a magic 8-ball that you could ask yes/no questions of and it always gave the right answer, you could solve the problem in polynomial time. Bruteforcing passwords is like that - if you can just ask the oracle "is the first letter A? is it B?" etc, you can figure it out in linear time (roughly 60*N, rather than 60^N). A lot of exponential problems are like this - there's not actually that much work that goes into solving it, it's just that you don't know where to do the work, so you have to try every possible combination. The oracle fixes that.<p>An alternate definition of NP is that it requires at least polynomial time to solve, but only needs polynomial time to <i>verify</i> the solution. Again, passwords are like this - if someone claims they know the password, you can tell if they're right by just checking it against the real password, which is linear time (checking each letter).<p>The definition of NP technically covers everything in P as well. There's another category, NP-complete, which means "the hard part of NP". Most of the time, when people say "NP" they actually mean "NP-complete".<p>Quick diversion - it's still an open question whether P and NP are equal to each other. It might be that, with very clever algorithms, password cracking can be done in polynomial time. Most computer scientists don't think so, but we haven't yet been able to prove that it can't be done. (We <i>can</i> prove that some complexity classes are definitely different, but P and NP haven't been achieved yet.)<p>So, we don't yet know whether the NP-complete category is part of P (if P=NP) or is a hard chunk separate from P (if P!=NP). We <i>do</i> know, though, that some problems are definitely in NP-complete - they're the "hardest possible" problems in NP. (though, again, they might still turn out to be in P as well). We started out with <a href="https://en.wikipedia.org/wiki/Karp%27s_21_NP-complete_problems" title="">21 examples of NP-complete problems</a>, and now we mostly add new ones by proving that you can transform the new problem into an NP-complete one and vice-versa (in polynomial time).<p>The NP-complete category is useful because it's big and connected, so that if anyone can ever prove that any single NP-complete problem is in P, they prove that they're <i>all</i> in P automatically.http://www.xanthir.com/b4ZT0Brad Wardell Is A Douchebag, And I'm Never Buying Anything From StarDock Again2014-12-21T09:08:58+00:002014-12-03T01:23:03+00:00<p><b>Heya everyone! I'm pretty insulting in this blog post, but that's it. They're just bad names, nothing threatening. If you threaten anyone, or even worse, threaten their family, regardless of what side you think they're on or how bad you think they are, you are literal human trash and don't deserve to be on this planet. Don't do it.</b><p>I rarely participate in boycotts. They're terrible coordination problems, and almost never accomplish anything. But every once in a while something is so heinous that I can't morally support a company with my dollars anyway. Today, that company is StarDock.<p>I love StarDock's games - I've sunk several hundred hours into Galactic Civilizations 2, and highly anticipated doing the same for their new Gal Civ 3. But today I saw several tweets from their CEO, and was blown away by how much of a sexist fucking jackass he is.<p>It started with an offensive comic drawn about Zoe Quinn, repeating the lie-that-won't-die about her sleeping with game reviewers to get them to give her games good review scores:<p>(The artist took down their comic, so I'll honor their intent and not show it either.)<p>Sometime a little later, the comic artist mentioned how much they loved doing comics for GG, which prompted Brad Wardell, StarDock CEO, to respond by encouraging them to apply to StarDock as an artist.<p><img src="https://pbs.twimg.com/media/B33Now_CQAA4hXj.png" alt="Brad Wardell inviting the artist to apply" title=""><p>This is some bullshit by itself - the person's a half-decent artist, but they're being explicitly courted due to their contribution to a harassment campaign.<p>But it got really bad afterwards. Zoe complained on Twitter about this behavior, and Brad went <i>off the fucking deep end</i> calling her a "liar" and explaining why she is so "reviled".<p><img src="https://pbs.twimg.com/media/B33Now_CAAAx6Qd.png" alt="Brad Wardell being a dick" title=""><p><img src="https://pbs.twimg.com/media/B33NovQCEAE9wXx.png" alt="More of Brad Wardell being a dick" title=""><p>This seemed astonishing to me - a highly visible gaming CEO, harassing a woman and lying about his own actions? So I checked <a href="https://twitter.com/draginol/" title="">the rest of his Twitter feed</a>, and lo and behold, he's a GamerGater and a complete dick.<p>Wow. I can't support someone who's that much of a jerk, willing to harass and support the harassment of innocent people, and then lie and misrepresent his own actions. I really wanted to play more of his company's games, but I've already got plenty of backlog to burn through, and I don't need to throw money at that trash. I'm boycotting StarDock for the foreseeable future.<p>This is almost literally the tiniest sacrifice I can make, costing me almost nothing at all, but every little bit of support helps for those people dealing with this harassment every day. I support Zoe Quinn and all like her who are being abused by the misogynistic hate group called GamerGate, and I encourage all of you to do so too.<hr><p>Updated Dec 21 to remove comic, fix some pronouns, and add a disclaimer, after having a polite conversation with Brad.